If you can't go lossless, Apple ProRes or Avid DNx are phenomenal options with tons of depth to work with, while not being too large.Īfter your done, most deliverable are sent to clients in Lossy formats and that is just fine and usually preferred. Lossless is always ideal for the most information during a production. Certainly when the deliverable is for internet streaming. Although not technically lossless ProRes and DNx provides massive amounts of information to work with and manipulate files, even when the deliverable is going on the big screen. Well both Apple and Avid refer to their codecs as Virtually Lossless, which is a great marketing term for saying it is lossless, but really good.Īs an industry, video professionals agree. So the big question is always about ProRes and Avid DNx right? Apples ProRes especially is what the vast majority of non-feature film production is using. Why? Because they are often much smaller files and to the naked eye, a well compressed file is unrecognizable as to whether or not file information was lost in compression. In fact, outside of broadcast, most organizations want their final deliverable in a Lossy codec.
If you would like to test any of our video formats in your broadcast workflow, sign up for a free trial or contact us to get started on a proof of concept. These include MPEG2-TS, DNXD, MXF, & XDcam. Lossy codecs are wonderful for delivery, especially on the web. supports every digital video format imaginable, and boasts support for the broadest array of broadcast codecs and containers in the industry. Common codecs include HEVC, MPEG4, H.264, AVC, and many others. Lossy Codecs also come with a variety of format options. The obvious advantage here, is with a lossless codec you always have all file information to work with and make adjustments. Meaning color depth, bit depth, pixels, frames and more. Lossless, means that when you use this type of compression for your file you do not lose any of the file information. There is no silver bullet when it comes to streaming content on the web. There are pros and cons to each video codec and file format. Common formats includes MKV, AVCHD, MP4, and WebM. The are many lossless video codecs, common ones include H.264 Lossless, H.265 Lossless, Motion JPEG Lossless, Apple Animation Quicktime RLE, Autodesk Animator Codec, and many more. Video codecs used today include H.264, HEVC, VP9, and AV1.
Many files are acquired as compressed formats from the moment of creation. In any creative field, Photo Video Audio, you are working with compressed files constantly.
Compression is applied to a variety of files.